My work is made with an intense and energetic immediacy, working instinctively rather than methodically, keeping me physically and emotionally involved in the process. I crush soft pastel in my hands rubbing the dust into the paper in wide sweeps of colour gradually manipulating the material to build up a thick layered surface using the ball of my thumb or the heal of my hand.
As a contemporary artist choosing to adopt an approach to light in the landscape, my interest is not to make straight forward topographical images that are illustrations of place. Instead I am attempting to make imagery that is descriptive of the circumstances under which the subject is viewed; images which convey a sense of place. The drawings are emotional reactions to events and experiences evolving in front of me; events happening or about to happen.
The images become like fading memories or captured moments in time. The making of the work is in itself as set of actions and events which creates a harmony between my process and my interpretation of the subject.