Taking landscape as an initial starting point, my paintings are not about literal presentation; instead the focus is on the emotive qualities of place. Using an objective palette tied to the Scottish landscape, colour acts as a vehicle to reveal the picture planes underlying points of reference.
By applying the paint in thinly layered colour bands, and utilising a subtraction technique, the surface is worked until a balance is reached. The delicate forms that remain give the effect of a monochromatic finish when first viewed, gently engaging the viewer in the act of seeing, where their relationship with the work is one of continual change, as the ethereal surface vibrates with an inner luminosity that appears to expand outwards beyond the border, activating the space around and between the pieces.